Sliding Scale of Idealism vs. Cynicism: In especially the musical, Hairspray is as optimistic as it gets. SONGLYRICS just got interactive. Hairspray - Run and Tell That! Almost all of the songs are fun and upbeat, with quirky, intelligent lyrics … Baltimore and me. It is sung by Tracy, Link, Penny, Seaweed, Edna, Motor Mouth, Velma, and Amber with Corny and Wilbur as backing singers. Lyrics … Honestly, that's so disappointing but not surprising,” she said. Its fairly neat, commercialized, and revisionist portrayal of 1960s Baltimore sharply contrasts with the current messy, national discussion of identity politics—a disjunction that could prompt new audiences to reevaluate their assumptions about how racism operates. In "Hairspray," the TV station management in the form of Velma von Tussle is staunchly segregationist; Velma is the perfect villain for Tracy Turnblad to challenge. “All the choreography in the movie prior to this was segregated by race, and now it’s all together, which is a very, very subtle reference to the theme of this movie.”. O. They are fond of dancing and Tracy succeeds in a TV show, the "Corny Collins Show," and with her friend she manages to organize a big party in the name of racial integration despite the hostility of the conformists of the city. The Hairspray Live! 'Cause it's time for the Corny Collins Show! The 1988 John Waters film, newly adapted into an NBC live musical, presents a view of racial discrimination that’s by turns naïve and enlightening. In Little Rock, white teens went from protesting integration at Central High School to dancing in the afternoon on Steve’s Show. Which is why I was almost kind of hesitant to talk about Hairspray today, because, you guessed it, this movie is a teensy weensy bit racist. Hey there, Teenage Baltimore, don't change that channel 'Cause it's time for the Corny Collins Show Brought to you … Although the lyrics touch on sizeism and racism, the song also references broader themes of change and progression. The musical explores themes of racial prejudice and freedom of expression. Song from NBC's Hairspray LIVE! BACKU P (conti n ued) I promise Baltimore TheAtlantic.com Copyright (c) 2021 by The Atlantic Monthly Group. The two videos above are two clips from the movie "Hairspray" which shows the racism in the movie. 3 The Nicest Kids in Town Lyrics - Hairspray LIVE! Submit a letter to the editor or write to letters@theatlantic.com. NBC’s Hairspray Live! Deadly crash closes I-65 on Indy's south side, IMPD locates missing boy on far west side, Pot of hot water instantly turns to steam as frigid air hits Minnesota, In 2020, NFL found ways to play every game, Three young professionals join forces to combat racial injustice, Thousands nationwide walk off job for 'Strike for Black Lives' to protest racial inequality. 4 Mama, I'm a Big Girl Now Lyrics - Hairspray LIVE! has the chance to resurface a forgotten history of how discrimination in pop culture intimately shaped the lives of young people 50 years ago. “People already were excited about it, but after the election they were saying, ‘Boy, do we need this now,’” Meron said while promoting the new television musical. You know in the song 'Without Love' when they're singing things like 'Life's a 45 when you can't buy it', 'Life's like a beat that you can't follow' etc. The world's gonna wake u p and see Gonna wake up and see. The thing is, Hairspray is part of a grand story about American racism: the story that racism can be overcome. Tracy Turnblad, an overweight high school student, wakes up ("Good Morning Baltimore") and goes to school, where she receives a warning for "inappropriate hair height".After school, Tracy rushes home with her best friend, Penny, to catch the local teenage dance show, … producers hope this story of interracial unity will be appealing to television audiences in 2016. Lyrics to Hairspray Broadway musical. Copyright Warner Bros and New Line Cinema. The musical touches … With the nation in a “divisive place,” he argued, viewers are looking for entertainment “that can be really healing.” The New York Times critic Michiko Kakutani saw a similar dynamic at play when Hairspray, the musical, debuting shortly after 9/11, won over fans: “Hollywood and Broadway producers have decided [what] Americans want is nostalgia—the logic being that people in times of trouble will gravitate toward comfort entertainment that reminds them of simpler, happier times [such as] … the candy-colored Broadway musical Hairspray.’”, Hairspray’s history of race in America suggests that racism is an issue of attitudes rather than of policies. The corniness is part of the charm, leading you to watch Hairspray again and again for the laughs and catchy lyrics. A devoted fan of the Buddy Deane Show, Waters drew on this history to write and direct the original film version of Hairspray. Unfortunately, all of this masks the even larger problem in Hairspray, which goes back to the original movie and why, ultimately, I think that one's better.Simply put, the black people in the 2007 Hairspray aren't funny.I don't mean that in the minstrel-y, horrific "entertain me" way, but I mean that in the most basic sense, the black people in this movie don't get to be funny. Artists A-Z. The plot unfolds in the era of the 1960s, the time of bright costumes, magnificent hairstyles and pep music. — A video of a Noblesville dance company performing at the annual Duck Race event on Saturday is going viral on Facebook after the use of a controversial song from the musical and movie “Hairspray” that uses offensive lyrics. Title Filter Display # # Article Title: 1 Hairspray the Musical - PLOT SYNOPSIS: 2 Good Morning Baltimore Lyrics - Hairspray LIVE! On the one hand, the story’s feel-good conclusion implies that colorblindness is the silver bullet that ends racial discrimination, that good intentions and individual acts of bravery are enough to bring about harmony. Every weekday afternoon, in each of these broadcast markets, these shows presented images of exclusively white dancers and rendered black youth as second-class teenagers. Following the 1988 movie, Hairspray became a 2002 Broadway production with music and lyrics by Shaiman and Wittman, who were both professional and personal partners for … And it was not unique: Dick Reid’s Record Hop in Charleston, West Virginia; Ginny Pace’s Saturday Hop in Houston, Texas; John Dixon’s Dixon on Disc in Mobile, Alabama; Bill Sanders’s show in Chattanooga, Tennessee; Dewey Phillips’s Pop Shop in Memphis, Tennessee; and Chuck Allen’s Teen Tempo in Jackson, Mississippi, were all segregated dance shows. We welcome diversity in our ballet studio, and we hope the community will offer their grace as we work hard to move forward. 5 I Can Hear the Bells Lyrics - Hairspray LIVE! She is the snobbish and imbecility racist producer of the Corny Collins Show and mother of Amber Von Tussle that wants to integrate a cast of white-only people. Review: RIFF-it. HAIRSPRAY. Even though Hair was popular theatre, and as such it was part of the moneymaking Establishment, it voiced the sentiments of my generation’s countercultural movement in such a way that it seemed to bridge the gap. We make this solemn promise to you—we will take every precaution to prevent this or similar mistakes in the future,” the company said in a statement on Facebook. Music by Marc Shaiman. HAIRSPRAY. Hairspray’s history of race in America suggests that racism is an issue of attitudes rather than of policies. The Nicest Kids in Town Lyrics. He said this video “woke him up,” and he wants to see more conversations about racism and diversity in his community. Charles Ingram, who also lives in Noblesville, had the same gut feeling while watching the video. 'Cause it's time for the Corny Collins Show! Broadway musical Hairspray is racist Posted by Jeff Boomhauer on 7/30/19 at 10:16 am. This is one of my favorite songs from "Hairspray" (the 2007 musical movie). Spontaneous Choreography: The film's grand finale has perfectly synced yet improvised groups dances. Album: Miscellaneous. More » Artists. 4 O'Donnell, Meehan, 9haiman, and Wittman HAIRSPRAY. A reprise of "Big, Blond, and Beautiful", sung by Velma and Edna, was added to the film as part of a new … “It is important for us to say, we have the utmost respect for the black community. It had a lot of dancing, but it wasn't a genuine musical. "Mama" and "It Takes Two" are also instrumentals during scenes featuring broadcasts of "The Corny Collins Show". We intend to make significant change in a positive way.”, Macey Dickerson, who recorded the video, said she had seen “Hairspray” before and remembered the lyrics to the song so when they started dancing, she thought, “there is no way they are going to play the whole song.”. A jubilant, funny, and phantasmagorical movie musical about an outsider who finds a way to fulfill her dreams. I’m hurt by it but never surprised,” she said. Top Lyrics of 2011. Why Busing Failed: Race, Media, and the National Resistance to School Desegregation. King’s mention of “Funtown” is preceded by references to lynch mobs, police brutality, and the “airtight cage of poverty,” and followed by references to hotel segregation and racial slurs. “Sadly, I wasn’t surprised, as a Black person living in a predominately white area, the onslaught of microaggressions and overt racism we experience on a daily basis are relentless. This is a long running fixture on Broadway with countless democrats attending but somehow none of them have decided to sound the alarm about the blatant racism. In his “Letter from a Birmingham Jail,” Martin Luther King, Jr. spoke to what it meant for young black people to be excluded from entertainment spaces like the Buddy Deane Show. "Cooties", performed by Amber at the climactic "Miss Teenage Hairspray" pageant in the stage musical, is an instrumental during the pageant contestants' dance-off. Hairspray accomplishes what most movies can’t, bringing lasting depth to an overall corny movie. “You Can’t Stop the Beat,” for example, is an upbeat dance number that resolves the issue of segregation on the Corny Collins Show. RELATED: Three young professionals join forces to combat racial injustice, RELATED: Thousands nationwide walk off job for 'Strike for Black Lives' to protest racial inequality. Thankfully, you can’t stop “Hairspray,’’ either. A performance by En Pointe Indiana during a Noblesville, Indiana, festival is being called racist because it included a song from "Hairspray" that has offensive lyrics. Velma Von Tussle is the main antagonist in the film, and musical adaptation of Hairspray. Instead, it was a campy examination of pre-civil rights Baltimore through the eyes of a plus-sized ingenue named Tracy … “I played it over and over, and I said, 'This is not real, and it’s not happening in the city I am living in,'” he said. "Hairspray" is a musical based on the 1988 John Waters film of the same name. Popular Song Lyrics. Billboard Hot 100. All Rights This move would have been a footnote in the annals of television if not for the director and Baltimore native John Waters, whose 1988 film Hairspray offered up an alternate history, with its fictional Corny Collins Show and rose-tinted, let’s-all-dance-together ending. Race theory in the sixties was that race didn’t exist and was something invented by racism- that’s why you see black soul lyrics from the period describing people as … Reserved. Lyrics. The “Funtown” reference is powerful because it captures one of the ways that Jim Crow segregation and white supremacy played out for children and teenagers. Still, as an historian of the television era that Hairspray so lovingly recreates, I believe the story also presents a more nuanced vision of how popular culture helped to educate white and black teenagers about racial hierarchies. Listen while you read! It suggests a way of understanding race that allows viewers to disavow bigotry—framed in the story as the belief that white and black Americans should live in separate spheres—without acknowledging, confronting, or seeking to overturn the actual structures of discrimination. NOBLESVILLE, Ind. In its version of 1960s Baltimore, teenagers sing and dance their way past race. “Hollywood and Broadway producers have decided [what] Americans want is nostalgia—the logic being that people in times of trouble will gravitate toward comfort entertainment that reminds them of simpler, happier times [such as] … the candy-colored Broadway musical Hairspray .’” The video of a small group of young dancers has been shared almost 500 times on Facebook. Seeing Hairspray as more than simply a post-racial American fantasy requires taking the story’s teen dance show setting seriously. Baltimore and me. Most songs were taken or adapted from the original 2002 Broadway musical, though some, like “Ladies’ Choice” and “Come So Far” were written for the film. Unlike the tensions that followed the real integration of the Buddy Deane Show, Waters’s Hairspray ends with the protesters triumphing. Hairspray Synopsis - Broadway musical The basis of the show is the same-titled movie Hairspray of 1988, fiercely popular motion picture. It had a lot of dancing, but it wasn't a genuine musical. However, in the movie and musical, the ending is different. “Jingle Bells is racist, White Christmas is racist, Baby it’s Cold Outside is sexist. Black and white together on local TV. Recently Added. -» Hairspray 10 Questions - Developed by: Courtney - Updated on: 2010-01-01 - Developed on: 2009-12-22 - 51,258 taken - User Rating: 3.6 of 5 - 17 votes - 5 people like it How well do you know Hairspray, the movie not the product? Hairspray started out as a movie in 1988 before it became a well-loved Broadway musical.In 2007, the musical Hairspray went back to its cinematic roots with a new film adaptation.The star-studded cast included Christopher Walken, John Travolta, Amanda Bynes, Elijah Kelley, Queen Latifah, Allison Janney, Brittany Snow, Michelle Pfeiffer, and in her breakout … Well Penny sings 'Life is like Doris Day at the Apollo' and I don't get why that is a bad thing?? For many young people, being blocked from swimming pools, skating rinks, or dance shows like the Buddy Deane Show would be one of their first exposures to what King calls the feeling of “forever fighting a degenerating sense of ‘nobodiness.’”. Despite being a frothy 1960s period piece ("I'm your man and you're my girl/I'm the sea and you're the pearl" in "It Takes Two"), Hairspray offers proof that music can get a point across without being boring, dreadfully earnest, preachy, or overly explicit. In December 1963, producers at Baltimore’s WJZ-TV cancelled the Buddy Deane Show rather than integrate the popular teen dance program. She said this inappropriate and offensive song should've been caught ahead of time during rehearsals. The story that we can see beyond race, and … — A video of a Noblesville dance company performing at the annual Duck Race event on Saturday is going viral on Facebook after the use of a controversial song from the musical and movie “Hairspray” that uses offensive lyrics. A dance company performed to a song from "Hairspray" that included offensive lyrics. But when she learns of discrimination against some of the young, black dancers on … Complete soundtrack list, synopsys, video, plot review, cast for Hairspray show. The television news reporter covering the Corny Collins Show in the film sums up the climactic scene: “You’re seeing history being made today. Hairspray Lyrics. Tracy is a fat, funny and outgoing girl, while Penny is a thin, shy and oppressed one. The Corny Collins Show is now integrated!” Waters himself commented on the film’s revisionist history, “I gave it a happy ending that it didn’t have.”, Hairspray’s happy ending gave the story an arc that appealed to Broadway and Hollywood producers. Hairspray quotes: the most famous and inspiring quotes from Hairspray. You fall in love with each of the characters, chuckling at their goof-ups and cheering them on when things get tough. The film’s executive producer Craig Zadan argued that what makes Hairspray work is, “you never feel like we’re on a soap box, or we’re preaching to you, or we’re saying this is a lesson you need to learn ... and yet, hopefully, you come away from it with something serious to talk about afterwards.” There is no guarantee that viewers will take up these discussions, but Hairspray offers plenty of material for those who choose to do so. A dance company performed to a song from "Hairspray," but left offensive lyrics in the song. This is one of my favorite songs from "Hairspray" (the 2007 musical movie). Notifications can be turned off anytime in the browser settings. show, but is outcast because she is different But Hairspray also resonates for at least one of the same reasons it did in the ’80s: It shows how seemingly innocent moments in popular culture were also sites of struggle over who was worthy of being a counted as a somebody in America. Lyrics to 'The Nicest Kids in Town' by Hairspray Musical Orchestra: Hey there, Teenage Baltimore! Controversial lyrics raise calls of racism during dance performance for Noblesville Duck Race Brooke Kemp and Justin L. Mack, Indianapolis Star 7/27/2020. Brought to you by Ultra Clutch Hairspray! However, Hairspray completely ignores the issue of aversive racism. In the 2007 film, she was portrayed by Michelle Pfeiffer, who also played … Plot – Baltimore, 1962. This sentiment carries through to the song’s lyrics. Racist is just what it wasn’t: it confronted and challenged racism. “The video has been shared so many times, and reading through the comments on the Noblesville Facebook discussion page, there are actually people who see nothing wrong with the situation. Nationally, American Bandstand blocked black teens from entering the studio during its years in Philadelphia, despite host Dick Clark’s claims to the contrary. Ingram has been a community leader and activist in Marion County for years, recently moving to Noblesville. Just 'cause you don't know you're racist You don't get a pass when you're talkin' your shit Just 'cause you don't know you're racist A bigot with a check list Just 'cause you don't know you're racist You don't get a pass, get a pass for your ignorance Black lives matter and you don't know why And reverse racism isn't a … Just look at these lyrics from one of the shows most popular songs... quote: The rats on the street All dance around my … But the racist video puts the song in a whole different light, with stereotypical imagery of mariachi horns, ponchos, sombreros and oversize mustaches. Hairspray, which started as a camp film with a modest $2.7 million budget, grew into a popular and commercially successful Broadway musical and movie. Hairspray is an American musical written by Mark O’Donnell with music and lyrics by Marc Shaiman and lyrics by Scott Wittman. By representing this reality—in bubble-gum, technicolor clarity—Hairspray does something that pure documentation, at times, can’t: It makes a difficult part of a nation’s history accessible (and entertaining) to millions of viewers. Hairspray‘s music is excellent from beginning to end. The song is entitled "Run and Tell That" and the first lyric struck me "I can't see why people look … His role in sustaining slavery adds another layer to the Kaepernick kneeling controversy. In the letter he asks if it's still racism when a production of "Hairspray" in Japan uses only Japanese actors, since no black actors would likely be available to audition. RIFF-it good. Lyrics. Hairspray LIVE! Is it Hairspray’s job to tackle the issue of aversive racism? Note that the horribly racist politics of the 60s are in no way downplayed, but they're almost entirely Played for Laughs. Hairspray encourages its audience to take the fight to integrate a teenage TV show seriously, but it does so through songs, dances, and costumes that celebrate and satirize the ’60s. Shaiman sent a letter addressing this version of "Hairspray," which can be read in full at the end of this article. Hey Trace, my moms pitching a platter party At our record shop up off North Avenue Wanna come check it out? maintains the basic of Waters’s story, but like the Broadway version and musical film, it features more than a dozen songs that help to convey the hopeful narrative. Even Mick Jagger knows these lyrics aged incredibly poorly; in recent years, he’s changed the words when he performs the song live. Hairspray condemns overt racism and preaches equality. as its newest live-television musical adaptation. Perhaps the last thing 2016 needs is a star-studded, light-hearted musical endorsement of colorblindness—though, viewed holistically, Hairspray is more than that. Songs with Lyrics. In 1963, the Civic Interest Group, an student integrationist group founded at Morgan State University, challenged this policy by obtaining tickets for black and white teens to attend the show on a day reserved for black teenagers. At the event, Dickerson said she was one of the only people of color in the crowd and that no one batted an eye when the controversial lyric came up. The Buddy Deane Show was a highly visible regional program that asserted a racially segregated public culture. The musical is set in 1962 in Baltimore, Maryland where plus sized teenager Tracy Turnblad’s dream to dance on the Corny Collins Show comes true. A dance company performed to a song from "Hairspray," but left offensive lyrics in the song. "You Can't Stop The Beat" is the finale number in the 2002 musical Hairspray. "One in a Million,” Guns 'N Roses (1988) That show was canceled in 1964 after the station reportedly refused to integrate Black dancers into its performances. Artist: Hairspray. This discrimination was explicitly or tacitly supported by an array of advertisers, television stations, music producers, city authorities, and federal communications officials. In its version of 1960s Baltimore, teenagers sing and dance their way past race. Facing controversy over the possibility of more integrated broadcasts, the station canceled the program. Act I It is June 1962 in Baltimore. On Wednesday, NBC is broadcasting Hairspray Live! Of all the musicals created in the last two decades, it is difficult to find a Broadway show more upbeat and life-affirming than Hairspray.The original John Waters film premiered in the late 1980s. Hairspray - The Nicest Kids in Town Lyrics. After a surprise interracial broadcast, WJZ-TV received bomb and arson threats, hate mail, and complaints from white parents. The owner of EnPointe Indiana Dance Company said he reached out to the Noblesville Diversity Coalition to start a conversation. While the songs do present an opportunity to talk with older kids about the deeper issues in all the lyrics -- racism, self … From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the studio (the so-called “Black Monday”). Book by Mark O’Donnell and Thomas Meehan. Controversial lyrics raise calls of racism during dance performance for Noblesville Duck Race. Despite being a frothy 1960s period piece ("I'm your man and you're my girl/I'm the sea and you're the pearl" in "It Takes Two"), Hairspray offers proof that music can get a point across without being boring, dreadfully earnest, preachy, or overly explicit. The thing is, Hairspray is part of a grand story about American racism: the story that racism can be overcome. (2016) Hairspray - PLOT SYNOPSIS. Note that the horribly racist politics of the 60s are in no way downplayed, but they're almost entirely Played for Laughs. Brought to you by Ultra Clutch Hairspray! Instead, it was a campy examination of pre-civil rights Baltimore through the eyes of a plus-sized ingenue named Tracy Turnblad. The first video shows Tracy Turnblad being sent to detention and there she saw the black kids practicing for the segment "Negro Day" on the Corny Collin's Show (An all white cast show). Of all the musicals created in the last two decades, it is difficult to find a Broadway show more upbeat and life-affirming than Hairspray.The original John Waters film premiered in the late 1980s. Spontaneous Choreography: The film's grand finale has perfectly synced yet improvised groups dances. Perhaps not, but, it is definitely not Hairspray’s job to perpetuate stereotypes and feed the vicious cycle of aversive racism. Highlight. Hairspray is the soundtrack for the 2007 movie adaptation of the Broadway stage musical of the same name, which in turn is based on the 1988 film.. The traces of blackface minstrel origins can be found in the music and lyrics… HAIRSPRAY. 4 O'Donnell, Meehan, 9haiman, and Wittman HAIRSPRAY. The story that we can see beyond race, and if … Miscellaneous Album. The best movie quotes, movie lines and film phrases by Movie Quotes .com TRACY (conti n ued) And I promise Baltimore That some day. Top Lyrics of 2009. Sliding Scale of Idealism vs. Cynicism: In especially the musical, Hairspray is as optimistic as it gets. It is sung by Tracy, Link, Penny, Seaweed, Edna, Motor Mouth, Velma, and Amber with Corny and Wilbur as backing singers. Upcoming Lyrics. On the other, Hairspray Live! TRACY (conti n ued) And I promise Baltimore That some day. “It’s time for changes in Noblesville, and it’s starting today.”. Record number of … Hairspray is a 2007 musical romantic comedy film based on the 2002 Broadway musical of the same name, which in turn was based on John Waters's 1988 comedy film of the same name. Author: wthr.com Published: 11:54 PM EDT July 27, 2020 4 0. Author: wthr.com Published: 11:54 PM EDT July 27, 2020 The … Genre: Pop. Adapted from both Waters's 1988 script and Thomas Meehan and Mark O'Donnell's book for … It's About Accepting Yourself, and Also Racism (Hairspray) It's a funny thing to find out that one of your good friends doesn't read your blog because he's sick of you calling everything he loves racist. EnPointe Indiana Dance Company has since apologized for the song choice, asking for forgiveness and saying they made a “huge error.”, “We all need some grace from time to time, and we are obviously in need of that now. Popular … When I ta ke to the floor. Motormouth Maybelle, a fictional black deejay and civil-rights activist played in the NBC version by Jennifer Hudson, sings: “You can’t stop today as it comes speeding down the track / Child, yesterday is history and it’s never coming back / ’Cause tomorrow is a brand new day and it don’t know white from black.” In the film’s narrative, this utopian vision of a colorblind future solves the problem of segregation and racial injustice. BACKU P (conti n ued) I promise Baltimore The movie and musical takes place in the 1960s and is loosely based off a real-life TV show where teenagers dance to popular songs. A performance by En Pointe Indiana during a Noblesville, Indiana, festival is being called racist because it included a song from "Hairspray" that has offensive lyrics. When I ta ke to the floor. Lyrics to 'The Nicest Kids in Town' by Hairspray Musical Orchestra: Hey there, Teenage Baltimore! May I also come check it out? A performance during the annual Noblesville Duck Race this weekend is under scrutiny, after children from a local dance company performed to a song from the movie "Hairspray" with controversial lyrics. Hairspray ’s history of race in America suggests that racism is an issue of attitudes rather than policies. Heyo! NOBLESVILLE, Ind. The film was a British-American venture produced by Ingenious Media and Zadan/Meron Productions. The "Corny Collins Show" Theme song film clip, sung by the Council Members and James Marsden. In the 1988 film, she was portrayed by Debbie Harry. “What’s great about the choreography in [“You Can’t Stop the Beat”] is that, subtly, the black dancers and the white dancers have the same choreography,” the executive producer Neil Meron said in the DVD commentary for the 2007 film. ‘The Star-Spangled Banner’s’ racist lyrics reflect its slave owner author, Francis Scott Key. Popular Artists. The story also locates racial prejudice in a single character, Velma Von Tussle (played in the live musical by Kristin Chenoweth), which enables the other white characters to remain largely innocent bystanders to the discrimination faced by the program’s black teenagers. Hairspray started out as a movie in 1988 before it became a well-loved Broadway musical.In 2007, the musical Hairspray went back to its cinematic roots with a new film adaptation.The star-studded cast included Christopher Walken, John Travolta, Amanda Bynes, Elijah Kelley, Queen Latifah, Allison Janney, Brittany Snow, Michelle Pfeiffer, and in her breakout role, Nikki Blonsky. This sort of nearsighted, if not disingenuous, framing persists today, whether in affluent parents in New York City insisting their opposition to school rezoning proposals is not about race, or in arguments suggesting that the best way to address racism is to stop accusing people of being “racists.”. 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